Since I've opened kilnhouse I haven't had a lot of time to think about showing work elsewhere since it's an on going struggle to keep my two hands making enough objects to let's face it-make a living. I am now realizing I'm going to have to try and show a few places a year if I want to be eligible for any grants. My dream is to have a show at the BC Gallery of Ceramics, go to www.bcpotters.com ,the work show-cased there is soo lovely. I've been thinking more deeply about the meaning behind all of theses tumblers I've produced lately. I love it where the clay is bare, and just a wee bit of glaze is used to exploit some design or texture. I like to think of the clay as flesh/skin and the glaze is clothing or a tattoo. The aesthetic I am going for is that of a poor seamstress, who is pretty and creative but her clthes are hap-hazard. She is making these loose fleshy tumblers...They work but they're primitive... anyways this is all fresh in my head but I thought I'd get it written before I lost it.
Showing posts with label commercial glaze. Show all posts
Showing posts with label commercial glaze. Show all posts
Saturday, May 9, 2009
Friday, May 1, 2009
Juxtaposition of Materials...
That's gotta be my most favoritist things to do with my artwork. to combine things that do not "normally" belong together and make them look pretty. For example rustic matte surfaces with vintage lace impressions juxtaposed against hot pink glossy commercial glaze. Also, weather old end-gates from a grain truck against shiny shards with vintage decals on them. I am trying to create work that is both rustic and beautiful. Work that is not easy to pin-point, seems simple but really is not. The more you look, the more you see kinda thing. Here are some examples...
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